Showing posts with label dawn of the dead. Show all posts
Showing posts with label dawn of the dead. Show all posts

Monday, November 3, 2014

Dawn of the Dead Opening Sequence, Fan Edit

And that fan is me. This shows you what you can do with Final Cut, access to riot videos on YouTube, and way too much free time. Oh, and a love for one of the best opening credit sequences ever made.

So, I stuck with the original length and soundtrack. I originally thought about using the full version of Johnny Cashes "The Man Comes Around" but thought four-and-a-half minutes might be a bit much. I also kept some of the original footage. Hope you enjoy it. It was fun to make and I did learn about some of the neat features that FCPX offers.

Tuesday, July 22, 2014

Poster Of The Day - Zombie-A-Thon Edition - Dawn Of The Dead (1978)

Dawn of the Dead is a great movie. Characters with depth, a story that mostly makes sense, pacing that builds tension, bursts of action and violence, great practical effects (although the blue face on the zombies isn't that great) and some deftly handled social commentary.

And that poster! Freaking amazing. It is visually simple; but, it's minimalism is key of its appeal. The bold title font and color let's you know this is a hard hitting film. The abstract zombie head rising from the horizon is disturbing without being graphic. You know some bad is happening - why does the head have the mottled discoloration? Why is it being equated with the sun? Does it mean the film is going to show us a world where zombies have won the day? We don't have an image of what the zombies will look like, allowing us to mentally fill in the blanks.There is no visual example of the scope of the film, just the impression that it will be big. The tag line "When there's no more room in HELL the dead will walk the EARTH" is memorable and prominently place. Your gaze goes straight from the zombie head to the tag line, enhancing the impact of both. The only thing that detracts from the poster is the side bar, mentioning >Night of the Living Dead and Romero's name. While understandable from a marketing point of view, it detracts from the vertical lines and clear focus of the poster.

The poster is a classic example of conveying feeling and meaning without using complex images or giving away anything specifically from the film. One of my favorites.