The plot is the well-worn "person loses self in quest for fame, learns valuable life lesson." What sets Frank apart is what the cast and crew do with it. Gleeson, Fassbender, and Gyllenhaal all turn in remarkable performances. Gyllenhaal in particular manages to convey concern, anger and a little madness with subtle facial movements and verbal inflections. Fassbender, wearing a mask until the end of the film, has to convey most of his performance verbally and with body language and does a good job of it.
While it has a dramatic core, it is also a very amusing film. The humor is of the surreal/absurdest style; i.e., along the lines of This is Spinal Tap and Fear and Loathing in Las Vegas. It has some interesting themes. The obvious one is that a blind attempt to pursue fame is self-destructive. It also has something to say about the difference between being admired for your art and gaining social media notoriety based on looking and acting odd. The film also has a surprisingly depressing message about art and talent. Jon assumes that, if he had a tormented background - something he assumes the disturbed Frank had - he would also have the same musical talent. He finds that Frank was always talented and that the mental problems that Jon assumed were at the heart of his creativity actually lessened his abilities.
If there is any weakness, it would be the decision to partially break the fourth wall and have Jon's Twitter feed periodically scroll out on the screen. While an interesting device at first, it eventually becomes gimmicky in a non-gimmicky film. Some might also criticize the opaque nature of the protagonists motivations (except for Jon, whose motivation is clear). For the characters who matter, however (Frank, Jon, Clara, and Don) it actually is clear why they behave the way they do. It just isn't spelled out for the viewer in clunky exposition dumps.
Check it out.
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